G3 trifecta of guitar stars boogie, groove, electrify their way through Live Music Capital

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G3 trifecta of guitar stars boogie, groove, electrify their way through Live Music Capital

AUSTIN -- When Joe Satriani's G3 Tour extravaganza rolled through ACL Live at The Moody Theater on Saturday night, it figured to tug at the (guitar) strings in an electrifying way. And it did. 

But that wasn't the only method by which it amazed.

Satriani, who has taught the likes of Metallica's Kirk Hammett and Testament's Alex Skolnick how to wow audiences in their own right, is worth the price of admission by his lonesome. Having released What Happens Next only two weeks earlier while commemorating 30 years of his landmark Surfing With the Alien, Mr. Satch Boogie as a solo attraction would've rekindled memories of his most recent San Antonio visit in 2016 at Trinity University's Laurie Auditorium (coverage here). G3, however, always marks a special occasion, as Satriani chooses a pair of his peers to join him on tour in a non-egotistical showing of respect, admiration and appreciation for what other axemen can do. 

The 2018 version sees Satriani joined by Dream Theater specialist John Petrucci and Phil Collen of Def Leppard -- the latter having recently announced an Aug. 31 stop with Journey at the AT&T Center (tickets on sale 10 a.m. Friday here). 

Collen kicked off the evening with his side project Delta Deep, which included a rousing cover of Deep Purple's "Mistreated." By the third song, it became apparent Collen's guitar skills weren't the only instrument that would enjoy the spotlight.

Vocalist Debbi Blackwell-Cook, the godmother of Collen's wife and who performed at their wedding in 2010, brought a soulful exuberance to a program that figured to be dominated by instrumentals, as the Deep showcased a semblance of what can be found on East Coast Live, which dropped the day prior. Also backed by touring bassist Craig Martini, who was filling in for Robert DeLeo of Stone Temple Pilots, and drummer Forrest Robinson, Collen shredded at times in a way Def Leppard's music does not allow him. Blackwell-Cook was so amazed while trying to match Collen's sounds with her voice during a fun jam session, she raised her eyebrows and conceded, "He's showing off."

Before returning to the stage for the G3 jam finale, Collen gave way to Petrucci's solo set. Petrucci's own trio included his Dream Theater drumming cohort Mike Mangini, who brought along a condensed version of his kit compared to the one he uses in the progressive metal force, plus bassist Dave LaRue. Not even Petrucci's thick beard could conceal his enthusiasm for playing in the Live Music Capital's cozy indoor venue as he enjoyed "starting with something dark" before turning to a more fluid, yet still heavy, style. Petrucci also played a tune not found on any of his albums, "Glassy-Eyed Zombies," which had fans in one of the three floor sections standing throughout and raising their horns. 

Petrucci gave thanks on multiple occasions for being able to play in front of an appreciative audience while referring to Mangini and LaRue as "two of the most amazing musicians I've ever had the pleasure of playing with." The latter, ironically, plies his trade in Flying Colors -- one of the many acts featuring Petrucci's longtime drummer and fellow Dream Theater co-founder Mike Portnoy.

Then came time to surf with the alien himself.

Satriani unveiled his out-of-this-universe skills by mixing the likes of brand new tunes "Energy," "Catbot," "Super Funky Badass," "Thunder High on the Mountain" and the soothingly diversified "Cherry Blossoms" with a slew of 1987 tracks such as "Satch Boogie" and "Circles." He dedicated another, "Always With Me, Always With You," to the crowd for helping to make Surfing With the Alien his true career-launching record. One of those nearby fans couldn't help but exclaim "Whoa!" nearly every time Satch utilized his whammy bar. 

Satriani temporarily stopped the show mid-song during Shockwave Supernova track "Cataclysmic" after breaking a string, necessitating a guitar change. He humorously insinuated it might be an omen. But the only thing that resulted was more jaw-dropping musicianship. Satriani wasn't even the only guitarist in his band that deserved the spotlight. Not to be outdone, as he showcased at Trinity, was longtime guitarist and keyboardist Mike Keneally, with Satriani marveling that he plays them "sometimes at the same time." 

Bassist Bryan Beller and drummer Joe Travers did their thing as well as Satriani exhibited the talent that has made him one of the most respected guitarists of this generation, also highlighting the evening with "Summer Song."

But that wasn't all. 

Petrucci, Collen and Blackwell-Cook accompanied Satriani for the G3 climax, offering up their skills on Deep Purple's "Highway Star" and Stevie Wonder's "Superstition." 

Although he omitted tracks from 1989's epic Flying in a Blue Dream and 2010's solid Black Swans and Wormhole Wizards, Satriani, along with his renowned guitar brethren, provided an early 2018 candidate for Concert of the Year.

If the vast array of talent on stage wasn't convincing enough, particularly given that media video footage was not allowed, well, the multitude of standing ovations will have to suffice. And perhaps 30 years of Flying in a Blue Dream will unfold next year.

In the Alamo City, to boot.

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Sevendust's 20th anniversary caps concert scene for 2017

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Sevendust's 20th anniversary caps concert scene for 2017

As the world prepared to put on their party hats, blow on their kazoos and ring in a new year, one of rock's premier bands went the other route. Celebrating 20 years, Sevendust put a cap on San Antonio's wide-ranging 2017 concert campaign by going back in time while showing the Vibes Event Center inside The Rock Box how it became one of the scene's most consistent artists.

And, in the process, demonstrated that it's not slowing down anytime soon. 

With Crobot plus locals Even In Death and Down Generation warming things up last Saturday night, Sevendust broke out its 1997 self-titled debut album in its entirety, which included tracks it hadn't played in recent visits such as "Terminator," "Wired" and "Face" (ATM footage below; setlist in slideshow). Crowd reaction to encores including the moshpit-inducing "Face to Face" and "Shine" (watch ATM Facebook Live footage here) typified what it meant for the Atlanta natives to mark their milestone with a special tour as frontman Lajon Witherspoon declared, "Man, I love me some Texas." 

As is often the case, Witherspoon became emotional when addressing the crowd. During the 2015 Fiesta Oyster Bake, tears rolled down his face when Witherspoon shared that he and his wife had found out they were going to be parents. On Saturday, it was the magnitude of Sevendust's 20 years, and frequent visits to Texas that played a role in many of those shows, that had the singer poignantly sharing his feelings with the audience -- which included Nothing More vocalist Jonny Hawkins.

With guitarists John Connolly and Clint Lowery, bassist Vince Hornsby and drummer Morgan Rose doing their thing, Sevendust concluded the evening in an appropriate way with "Thank You," though that is anything but a slow and sappy tune. The crowd continued to pump its fists, sing and headbang while those in the trenches encircled one another, threw down, and helped one another to their feet when one was knocked to the floor. Though Sevendust left some personal favorites off the set such as "Enemy," "Denial" and "The Past" in exchange for playing an entire album, the performance indicated that Sevendust is one of those bands that no matter what songs are brought forth, a satisfying show is virtually always guaranteed. 

Crobot, which played the 2015 River City Rockfest plus the 2014 Fall Ball, hardly disappointed either. Vocalist Brandon Yeagley was hands down the most energetic musician of the evening. With "The Necromancer" and other tunes from the group's two latest albums ringing throughout the Vibes, Crobot entertained those singing word for word in the front row, those casually watching from further back . . . and even those who weren't aware they were playing in "the other room." 

A video screen of the Vibes' live goings-on was on display on The Rock Box stage when one couple that apparently hadn't been to the venue inquired as to how many bands were on the bill. Informed that Crobot was winding down its set and Sevendust was the only band remaining, the gentleman replied, "What do you mean almost done? That's just a video, right?" Seconds later, he grabbed his significant other's hand and rushed off to where the music was unfolding in real time.

Even In Death received top billing among the two local groups and unveiled a lineup change. Rhythm guitarist Joey Villalobos and bassist Anthony Aleman are in the band, replacing Joshua Calderon and John Bernal, respectively. The group was limited to four songs including "Broken Dreams," "Possessed," and its recent video single "Fire All Your Guns." With vocalist Sean Nations, lead guitarist Anthony Carrillo and drummer Mark Reyes more than holding down the fort following the roster change, it will be interesting to see what 2018 has in store for the newer version.

Down Generation, a side project of Evil United and Murder FM drummer Jason "Shakes" West, got the night off to a blistering start. Vocalist Mauricio "Malls" Adan and lead guitarist Todd "Bird" Connally rocked out to tunes from the group's Self-Destruction EP, ending with the title track (ATM footage here), and gave a preview of what's to come this summer. Adan always knows how to crank up a crowd with his stage presence and vocal prowess, while "Bird" demonstrated what has made him a hot commodity in groups such as Evil United and Pitbull Daycare. West, meanwhile, played on a dislocated right elbow that required fluid drainage the following day. All in the name of Rock N' Roll, of course. 

As 2017 ended on a highly satisfactory note concert-wise, Sevendust and Co. left an unwritten challenge for San Antonio to top it in 2018.

Bring it on.

The Atlanta natives wrap up the Alamo City's concert scene for the year with a 20th anniversary show that includes the playing of its self-titled debut album in its entirety, including this track, at Vibes Event Center inside The Rock Box.

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'Bumblefoot' treats intimate gathering to solo holiday show

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'Bumblefoot' treats intimate gathering to solo holiday show

A Bumblefoot and a panther walk into a bar . . .

That was the case last Saturday night when Ron "Bumblefoot" Thal returned to The Rock Box. This time, he wasn't a member of Scott Stapp's solo band. Or Art Of Anarchy. Or new band Sons Of Apollo with renowned bassist Billy Sheehan and drummer Mike Portnoy of The Winery Dogs. Not to mention, Thal has virtually put his eight years as Guns N' Roses' lead guitarist completely in his rearview mirror.

No, this visit served a different purpose.

Setting up a folding chair and his iPhone playlist, Thal took a seat and declared to an intimate crowd of 45 --- yes, 45 --  "This is how I warm up" as he broke out the theme to "The Pink Panther." One hour and 51 minutes later, longer than many bands play to hundreds or thousands, Thal had spanned a good chunk of his underappreciated solo career with the likes of "Little Brother Watching" plus covers such as The Beatles' "Maybe I'm Amazed" and The Police's "Every Little Thing She Does is Magic."

Thal, who spoke with me in February about his various projects past and present (listen here), began the evening lamenting the "small crowd" to yours truly while watching local band Target 7 wrap up its set. The soundman then tapped Thal on his shoulder saying, "They want to know if they can play one more." 

Showing zero trace of ego that can befall rock stars a little too often, Thal happily replied, "Oh yeah, of course," while giving the band two thumbs up as it prepared to cover "The Green Manalishi (with the Two-pronged Crown)." Thal then took the stage seven minutes prior to his scheduled 9:30-11 p.m. set by joking, "I'm old" as he sat in the chair two nights before Christmas while Trans-Siberian Orchestra was playing its annual shows to thousands at the AT&T Center.

Surprisingly, Thal never mentioned his current bands. It even took him 90 minutes before referencing GNR.

"I wasn't in Guns N' Roses," he said. "I was in Roses N' Guns from 2006-14." He then offered his only GNR tune of the evening, "Used to Love Her" (ATM footage here). Thal had opened with it two years ago at South By Southwest during a 30-minute set on the Heart of Texas stage (coverage here).

Mixing in humor, such as when he slapped a guitar pick to his forehead and when he played with the braided beard strip running down his chin, Thal demonstrated why his guitar playing made him a focal point of Guns N' Roses and other acts. But he's not limited to skills on the strings. 

Thal is also an accomplished producer. During our previous interview, we spoke about the project he produced and referred to as "probably the most interesting metal I've heard in I don't know how long" when discussing Fragile Mortals, the tandem of former Exodus and current Generation Kill vocalist Rob Dukes and Run-DMC's Darryl McDaniels. The Dark Project, which also features Bumblefoot's musical talents, came out Oct. 13 -- nearly two years after he had hoped.

Thal, who offered that he continues to receive "something like $200 every three months" as royalties for penning the "That Metal Show" theme song, told me Sons Of Apollo "would love to" come to San Antonio next year, adding, as most musicians do, that an appearance rests with local promoters.

Until then, watch another ATM clip of Thal on The Beatles' "Oh, Darling."

As the show wound down, Thal looked at his watch and said, "I'm supposed to end in two minutes. Who knows a good two-minute song?" He answered his own question by saying, "I have a 7 1/2-minute song" as he performed solo track "Don't Know Who to Pray to Anymore." Just as he was about to pack up, the intimate gathering called for one more.

Thal asked, "What's a good ending song," to which a woman in the back replied, "A seven-minute song!"

Thal put a bow on the holiday night with a surprise ending you can watch in the video box below. The do-everything musician then offered to sign anything and everything while joking, "I'm going to try and stuff my CDs down your throat."

And with that, a Bumblefoot and a panther had left The Rock Box. And left those lucky enough to witness it utterly satisfied.

The guitarist of Art Of Anarchy and Sons Of Apollo, formerly of Guns N' Roses from 2006-14, plays a nearly two-hour solo show at The Rock Box and offers up a surprising Iron Maiden ending after he was about to pack up his gear only to have the fans clamor for one more.

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'Into the Pit:' Alter Bridge's Myles Kennedy

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'Into the Pit:' Alter Bridge's Myles Kennedy

If one were to speak with Myles Kennedy specifically about the special songs he's had a hand in crafting over the years, the conversation would take hours. That's because the Alter Bridge singer/guitarist, who also more than dabbles as the vocalist for Guns N' Roses guitarist Slash's band Slash Featuring Myles Kennedy and The Conspirators, has put his stamp on a variety of not only hits, but tracks that carry meaningful weight to his fans.

Older tunes such as "Brand New Start," "Isolation" and "Come to Life" still resonate today. The uplifting message of "Rise Today," a flat-out rocker such as "Metalingus" (the one-time theme entrance for World Wrestling Entertainment Hall of Famer Adam "Edge" Copeland) and the always inspiring "Blackbird" mesh with newer tunes such as the presidential election inspired "Show Me a Leader," demonstrating how much Kennedy's talents have made their way across five Alter Bridge studio albums and live efforts such as Live at Wembley and the two-month-old Live at the O2 Arena + Rarities.

A founder of The Mayfield Four, Kennedy received a big boost within the public eye by virtue of an appearance in 2001's "Rock Star." The movie, inspired by the journey of Tim "Ripper" Owens' assignment in rising from relative obscurity to replacing Rob Halford in 1996 as the vocalist for Judas Priest, featured Kennedy unveiling his vocal talents when his character was brought on stage by the character played by Mark Wahlberg.

While Kennedy mixed duties with Alter Bridge and Slash, he also found time to write songs with Led Zeppelin's Jimmy Page, John Paul Jones and Jason Bonham and had an opportunity to be part of Slash's other group Velvet Revolver, which never materialized. His oft-forgotten jazz background has even inspired his forthcoming solo album Year of the Tiger that will be released next year and features Kennedy playing a variety of instruments.

But first, Kennedy joins guitarist Mark Tremonti, bassist Brian Marshall and drummer Scott Phillips when they kick off a U.S. tour today in the group's home base of Orlando, Florida. The trek comes to the Aztec Theatre on Sunday, Dec. 3 with All That Remains and Sons Of Texas (tickets here), a visit that will mark Alter Bridge's first San Antonio appearance since it headlined the Aztec on Sept. 25, 2016.

Kennedy phoned Alamo True Metal on Tuesday, just prior to Thanksgiving, to discuss as much as we could in 20 minutes. Click here to listen to our conversation. For last year's chat with Phillips, click here.

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'Into the Pit:' Ministry

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'Into the Pit:' Ministry

As one of the innovators and mainstays of the industrial metal scene, movement and lifestyle, Ministry burst onto TV sets and airwaves three decades ago with songs such as "Thieves," "New World Order (N.W.O.)," and "Jesus Built My Hotrod." Not to mention the track that arguably conjures up images of charismatic and politically outspoken frontman "Uncle" Al Jourgensen the most: "Just One Fix."

With Jourgensen orchestrating and driving the Ministry machine since Day 1, his bandmates have come and gone. The dearest one to his life, guitarist Mike Scaccia, collapsed on stage in December 2012 in Fort Worth while playing with Rigor Mortis during vocalist Bruce Corbitt's 50th birthday performance. Scaccia died the next morning, leading to Jourgensen stating that 2013's From Beer to Eternity would more than likely be Ministry's final album, as he discussed with Alamo True Metal last year (listen here).

Alas, Ministry has finished AmeriKKKant, a new record slated to be released next spring. But the first order of business was the conclusion of the group's U.S. tour Sunday night at the Aztec Theatre, which included the unveiling of two new songs: "Antifa" and "Wargasm." Prior to taking the stage, a scheduled 1-on-1 interview with guitarist, El Paso native and former Pissing Razors axeman Cesar Soto morphed into a full-blown conversation with the rest of Jourgensen's troops.

Click the video box to watch ATM's exclusive chat with Soto, bassist Tony Campos (also of Static-X, Soulfly and Fear Factory), new drummer Derek Abrams, keyboardist John Bechdel (Prong, Killing Joke) and guitarist Sin Quirin (Revolting Cocks) as we discuss several topics past, present and future regarding Ministry and some of their other works.

Stay tuned for coverage of the gig for AXS.com with more video footage.

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Bach at the Box: Voice of Skid Row basks in Jarzombek's homecoming

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Bach at the Box: Voice of Skid Row basks in Jarzombek's homecoming

Whenever Sebastian Bach plays the Alamo City, the original vocalist of Skid Row comes close to being overshadowed, or at least equaled, by his own drummer. And he doesn't mind one bit.

The latest instance came Friday night at The Rock Box, when Bach turned it several times into "The Bach Rox" and entertained fans of his late '80s/early '90s metal outfit with a 1 hour, 26-minute performance.

Not to be outdone, of course, was the return of San Antonio native Bobby Jarzombek, who drummed on the same stage in mid-August with Fates Warning. This time, Jarzombek didn't have to worry about complicated time changes in a progressive metal band. Instead, he returned to his staple of placing and frequently mashing two cymbals behind his head, a setup he doesn't use with Fates Warning, because Bach's band affords him the chance to simply rock out.

As he did during last year's visit next door at Alamo City Music Hall, Bach peculiarly began the show in warmup mode, featuring four songs (as opposed to six last year) in which he toned down the tempo and mood, particularly while opening with the odd choice of Jimi Hendrix's "Little Wing." Also joined by guitarist Brent Woods and UFO bassist Rob De Luca, Bach's frequent references to needing a warmup included a track from the vastly underrated Subhuman Race, the third and final album he recorded with Skid Row in 1995, in "Breaking Down." Two of his most popular tracks from Skid Row's self-titled 1989 debut, "18 and Life" and "I Remember You," rounded out the initial portion of the show, though the latter would've better served as an encore.

Even with the sizable crowd geared up following those two tracks, the concert didn't feel as if it had officially begun until Bach changed jackets and the band took it to another level with arguably Skid Row's heaviest track, the title tune to 1991's Slave to the Grind.

Bach recounted stories of first playing Texas in 1985 in Madam X, a band that not only remains active today but was formed by original and current Vixen drummer Roxy Petrucci and her guitarist sister Maxine Petrucci. He also shared tales of drinking with the late Pantera and Damageplan guitarist "Dimebag" Darrell Abbott -- without mentioning that Pantera opened for Skid Row on a memorable 1992 tour -- as he introduced solo-album headbanger "American Metalhead" (which inexplicably said "Florida Metalhead" on the printed setlist under "San Antonio, Texas) and Skid Row ballad "In A Darkened Room (ATM footage of both below).

"American Metalhead," a track Bach came up with on 2007's Angel Down with Halford guitarist "Metal" Mike Chlasciak, required two takes because Woods' guitar shut down at the start of the tune (ATM footage here), causing a six-minute delay. The other connection is Chlasciak and Jarzombek continue to be members of Judas Priest vocalist Rob Halford's solo band Halford.

The Skid Row hits kept coming (setlist in slideshow) with "Sweet Little Sister," "Piece of Me" and "Monkey Business," which morphed into a dead-on mini-rendition of Rush's "Tom Sawyer" book-ended by the 1991 classic.

Bach introduced his mates at what appeared to be the end of the performance, with the usually reserved Jarzombek becoming even more animated than when he was surprisingly vocal after last year's concert, this time offering: "My good friend Sebastian fucking Bach! San Antonio, he is the original and only voice of Skid Row!"

The four members saluted the crowd and basked in the cheers, before Bach and Co. returned for one more cover in AC/DC's "T.N.T." 

Though Bach didn't play anything from his two most recent solo albums, the latest of which was 2014's Give 'em Hell, he isn't exactly touring in support of a new record, book or career milestone.

He's simply on the road to put the fun back in Rock N' Roll. And there's nothing wrong with that. Especially when it provides another chance for San Antonians to recognize one of their own talented musicians to boot.

The original voice of Skid Row restarts a 2007 solo song after the guitar of Brent Woods went out for six minutes (Take 1), then follows with a Pantera story of Dimebag Darrell's favorite Skid Row song.

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