Viewing entries tagged
Wacken Open Air

Austin quartet Hanna Barakat wins Wacken Battle state final, heads to nationals

2 Comments

Austin quartet Hanna Barakat wins Wacken Battle state final, heads to nationals

The search throughout Texas to discover the band that could possibly perform at heavy metal’s largest annual festival this summer finally yielded its Lone Star on Saturday night.

Hanna Barakat, a melodic metal quartet from Austin, reigned supreme at the Wacken Metal Battle state final inside its home venue Come And Take It Live, edging five candidates to advance to the national final Saturday, May 9, at The Viper Room in Los Angeles. The winner of that event will play Wacken Open Air from July 31-Aug. 2 in Germany.

Valkyrie was the lone Alamo City band represented in Austin after advancing, along with El Paso natives Texas Voodoo Stomp, out of the San Antonio regional Feb. 8 at Fitzgerald’s (coverage here). They were joined by Houston regional winners Gran Andes (who sing in Spanish) and metalcore act Of The Fallen, plus the other band to join Hanna Barakat out of the Austin regional, death-metal act Scrap Pile from Eagle Lake.

But ultimately, Hanna Barakat impressed the three judges the most (watch ATM Facebook Live footage of the announcement here and 58-photo slideshow below). Fueled by the group’s namesake and vocalist, Hanna Barakat released its debut album Siren last August and gained nearly a six-figure following on Facebook on the strength of the record being produced by Disturbed bassist and Austin native John Moyer.

Barakat, who graduated from the Berklee College of Music and spent time performing and honing her craft in Lebanon, joined guitarist Anthony Basini, bassist Ali Martin and drummer Lisa Fazenbaker in putting forth their best effort as each band was allotted 20 minutes to strut its stuff. Judge for yourself with ATM Facebook Live video of the title track here and below of “Wanting to go Home.”

The evening was already crazy enough given the ongoing fears of the global Coronavirus, which kept the turnout to 45-50 people at its peak. As if the dearth of humanity for this special event wasn’t enough, the worldwide issue’s staggering impact wasn’t lost on whoever was in charge of playing music between each band’s set, which included “Pandemic” by Accept, “The Virus of Life” by Slipknot, “Sick as a Dog” by Aerosmith and Disturbed’s “The Infection” (conspicuous by its absence was “Down With the Sickness”).

Bands performed alphabetically, so the crowd was even smaller when Gran Andes went on at 7 p.m. sharp. The Espanol-singing quartet was only able to fit in three songs during its veinte minutos, but got the evening off to a fine start on “Tu Mentira” and below on “Muriendo por Dentro.”

The night’s crunchier sounds were provided by Of The Fallen and the Pantera-influenced death-metal offerings of Scrap Pile. Meanwhile, the 10-band San Antonio regional, which was originally scheduled with 15 bands, had one of the largest regional contingents, and Texas Voodoo Stomp and Valkyrie demonstrated again how they earned their advancement to Austin.

The former group, easily the loudest band at Fitzgerald’s during the regional, vied for the same unofficial honor at Come And Take It Live behind tracks such as “Muddy Banks” and “Release Me” and the finale below of “The Walking Dead.” The group is fronted by singer/bassist Joe “Razor” Rodriguez of an even more well-known El Paso outfit Pissing Razors. Texas Voodoo Stomp literally stomped its way to deserved consideration of advancing to nationals with its raw, thunderous sound and musicianship. Hell, at the very least, the guys deserved a medal for making the 16-hour round trip on two separate occasions just to play 20 minutes apiece.

Valkyrie, of course, was not to be outdone in terms of storyline and ability to impress. The San Antonio natives struck gold at the regional by not only winning it but doing so despite that gig being the first time in 33 years vocalist Joe Gregory and guitarist Scott Stine shared the stage. Having recruited Under No one members in bassist Al Kelly and drummer Rich Gomez a little more than a year ago, Valkyrie gave Wacken a shot and advanced to state. The shrill of Stine’s guitar licks coupled with Gregory’s high-pitched screams can be seen on first three songs “Valkyrie, “Screams of the Aggressor” and “Reign of Violence” plus fourth song and finale “Choosers of the Slain” below. Valkryie is scheduled to play a regular set Friday, June 12 when it returns to Fitzgerald’s — epidemic notwithstanding (tickets here).

Had the state final, like the regionals, selected two bands to advance to the next round, Texas Voodoo Stomp and Valkyrie would’ve been hard pressed to beat in joining the eventual victors. But it doesn’t work that way. Each round of competition gets more difficult, and that’s when it’s time for each artist to let its allotted 20 minutes be the best set of its lives given what’s at stake.

While a little home cooking certainly didn’t hurt, Hanna Barakat proved to be the band that reaped the reward of its hard work. Their Wacken Metal Battle may only be half done. But in a contest that has seen most if not all of the state’s bands support one another in the midst of competition, Hanna Barakat can always claim bragging rights throughout Texas for 2020. And perhaps the chance to bring it on home — all the way to and from Deutschland.

2 Comments

Texas two-step of bands inch closer to prestigious Wacken festival in Germany

Comment

Texas two-step of bands inch closer to prestigious Wacken festival in Germany

Ask many musicians who pick up a guitar, bang the drums or belt out vocals to their heart’s content why they do so, and they’ll tell you they have one thing in mind: making it big someday.

For 10 bands from the Lone Star State, the vision of living large for at least one day emanated Saturday night at a quaint San Antonio bar known as Fitzgerald’s. And two of those artists kept that mindset alive for another month by traveling from afar in vastly different ways.

Texas Voodoo Stomp and Valkyrie, the last two groups to perform, made the biggest impression on the three-judge panel to advance from the San Antonio Regional of the second annual Wacken Metal Battle. With artists from across the nation vying to become the sole band representing the United States among winners from 29 other nations at the world’s largest annual metal festival — Wacken Open Air from July 30-Aug. 1 in Germany among headliners Judas Priest, Slipknot and Amon Amarth — Texas Voodoo Stomp and Valkryie stood out the most. As such, they earned a berth in the state final Saturday, March 14, at Come and Take It Live in Austin.

Their chances to advance further increase because the competition dwindles with each round. The opposition in Austin will be Houston Regional winners Scrap Pile and Of The Fallen plus Austin Regional victors Hanna Barakat and Gran Andes. The victor of the state final advances to the national round May 9 at The Viper Room in Los Angeles, with that winner advancing to Deutschland.

Texas Voodoo Stomp and Valkryie’s paths covered a wide swath of terrain — literally and figuratively.

The former quintet, easily the loudest of the 10 bands at Fitzgerald’s, made the 800-plus mile trek from El Paso just to play a 20-minute set. It paid off with the help of the most vocal and largest contingent of crowd support that put to shame those who turned out — or didn’t — for the hometown groups. Click here to watch ATM Facebook Live footage of Texas Voodoo Stomp performing “Killing Time” and “Resurrect Me” plus the clip below of “The Walking Dead.”

The latter, San Antonio’s Valkyrie, easily qualified as the sentimental favorite among judges Brian Keith (The Edge Rock Radio), Jacob Sendejo (KYSM-FM DJ) and Herb Rockman (Herb’s Hut Record Store). High-pitched vocalist Joe Gregory and guitarist Scott Stine hadn’t played on stage in 33 years but took a leap of faith by reuniting for the chance to possibly perform at Wacken. They re-recorded some of their classics for an EP last month after having recruited bassist Al Kelly and drummer Rich Gomez, both of local group Under No One, a little more than a year ago. Lo and behold, the quartet pulled a rabbit out of its hat and, along with Texas Voodoo Stomp, had just enough to edge third-place Cauterized. Watch Valkyrie in action on “Valkyre” and “Screams of the Aggressor.”

With each band having to adjust to a mere 20-minute set and playing in alphabetical order, time was of the essence to make an impression. While being graded on categories such as originality, energy, image and musicianship, each group was challenged to come across as the band that would rock the judges’ socks off. Instead, some fell into the trap of treating it like another Saturday night at Fitzgerald’s of playing to friends and family rather than performing as if their lives depended on it and envisioning themselves in front of 80,000 German maniacs — as 2019 national winners, San Diego thrashers Monarch, ended up doing here.

Gregory, in fact, was the only musician of the 10 artists to even mention Wacken (as viewed in Valkyrie’s aforementioned ATM clip). That reference undoubtedly earned his band extra points that helped put it over the top. Other groups, while shining in their own way musically, may have lost out by plugging their merch and social media pages — things that can be done any day of the week but shouldn’t have been wasted with only 20 minutes allotted and considering what was at stake. Other than the victorious bands, the musician who appeared to understand the importance of laying it all on the line and playing to the judges and crowd with the utmost passion and energy the most was vocalist Alex Carabajal of Cauterized (see 46-photo slideshow below). His local band’s efforts nearly put it in the final two, with only half a point separating Cauterized from a trip to Austin.

That fact exemplified the stiff competition as the bands brought various styles from all over the state to Fitzgerald’s. Click the links to watch ATM Facebook Live footage of them in action. The San Antonio contingent included Aeternal Requiem, which kicked off the night at 6:30 p.m., then had to wait six hours for the results, Beauty School Massacre, Bridge 13, Cauterized, Send Help and Syrus, which played in Germany two years ago at Headbangers Open Air.

Industrial act Akardia also made the long haul from El Paso with its Rammstein influence ever apparent. TBA TX Noise, a Corpus Christi band partially abbreviated as Tits, Beer and Ass, reminded one of early ‘90s comical band Scatterbrain (minus the pajamas and pigtails).

See more exclusive ATM footage of the groups below from the regional that was supposed to consist of 15 bands only to have Black Jackal, Burning Circle, Pigweed, Saving Jackie and Semper Acerbus withdraw.

Purchase tickets for the March 14 state final in Austin here. May the best band go to Hollywood. And possibly to Germany.

Comment