Viewing entries tagged
#GermaniaInsuranceAmphitheater

Boston bad boys lay the Godsmack down Texas style on 'The Rise of Rock' tour

Comment

Boston bad boys lay the Godsmack down Texas style on 'The Rise of Rock' tour

AUSTIN — As with many concert packages, “The Rise of Rock” tour provided a chance for headliners Godsmack to do what headliners do: showcase their career-spanning catalog and add another notch to the legacy they’ve spent decades cultivating.

It also provided opening act Dorothy to do what most openers do: play to a new audience that is mostly discovering their music and utilize their short time on stage to maximize said crowd’s interest in hopefully becoming more permanent fans based on their live performance.

For Dorothy Martin and her band: mission accomplished.

For Godsmack frontman Sully Erna, this past Friday night’s gig at a steamy and completely uncovered Germania Insurance Amphitheater was much more.

It was a lesson in pure musical artistry. A demonstration in just how multi-talented and multi-instrumental he is. And a revealing picture of how wide-ranging he and original bassist Robbie Merrill, who have rocked together for 31 years, can make various segments of their live spectacles.

Godsmack isn’t touring necessarily in support of eighth album Lighting Up the Sky anymore given that it came out in 2023 and that the band dropped Live At the Mohegan Sun a mere 29 days before rocking Austin. In fact, Erna hosted a Q&A and livestream listening party for the live album on the Internet the night before.

And after 28 years’ worth of making albums and live DVDs, Erna and Merrill certainly shouldn’t have anything to prove musically. For the remainder of their careers, it should be strictly about continuing to entertain their fans the way they want to.

But after original bandmates Tony Rombola (guitars) and Shannon Larkin (drums) mutually parted from the band because they did not want to tour anymore, Erna had no choice but to refer to their (touring, at least, if not permanent) replacements as a “new era” of Godsmack.

So yes, fans are wondering if Godsmack’s “still got it.”

Enter drummer Wade Murff and guitarist Sam Koltun, the latter formerly of Faster Pussycat and, ironically: Dorothy’s band.

Erna even recently hinted that the latest studio album may no longer be Godsmack’s final one despite initially stating the band had enough material to carry its live shows from here to retirement — whenever that may be.

However, this new era seems to have provided a change of heart, perhaps even a new fire, within Erna and Merrill.

As far as Friday night was concerned, Godsmack delivered the goods as they have since 1998.

Playing more guitar than usual, Erna cranked out his lyrics with his unique voice on opener “When Legends Rise” and newer tracks “You & I” and “Surrender.” Naturally, the staples from the debut self-titled album were there too on “Keep Away,” “Voodoo” and “Whatever.”

Erna even shared an anecdote about how a beat-up and taped-together guitar he purchased at a pawn shop was “responsible for” writing the first album before firing up the nearly sold-out crowd to help them “rewind it back to 1998” leading into “Keep Away” that included a jam of Pantera’s “Walk.”

For “Whatever,” Erna pulled a page out of Five Finger Death Punch’s playbook by inviting 10 youths on stage. Ranging from a 5-year-old boy and his 11-year-old sister to teenagers, the final child in line was a middle school-aged boy wearing a Spurs T-shirt on the eve of Game 7 of the Western Conference finals who tried to sneak in a selfie with Koltun as Erna was trying to get the kids lined up.

Erna cracked, “Hey, we’re trying to do a show here,” to which the boy responded with a “My bad” thump of his chest.

Godsmack’s set that went from 9:15-10:54 p.m. continued to feature a personal favorite section: the Batalla de los Tambores as Erna and Murff did their drum battle.

The frontman has always been entertaining in all aspects live, but to see him play drums and bongos when he’s not the band’s regular drummer is a sight to behold. The group’s customary riffs to “Back in Black,” “Walk This Way,” “Tom Sawyer” and “Enter Sandman” dotted the battle, and Erna punctuated it by going 4 for 4 on his stick tosses, even catching the final one above his head while standing. Murff, meanwhile, dropped two of his.

But who’s counting?

Murff rocked the kit throughout the set, and Koltun shredded through tracks that included “Straight Out of Line,” “Love-Hate-Sex-Pain” and the always energetic “Cryin’ Like A Bitch.”

But just as fun as the kids’ segment was, the following part of the show proved to be the most serious and riveting.

The lights went down, and Erna took a seat for his fourth instrument of the night, performing 2018 hit “Under Your Scars” on a piano emblazoned with scarsfoundation.org on its side.

Halfway through the tune, Erna asked the audience to get in touch with suicide prevention and mental health awareness, saying in part, “I don’t need your money. I’m tired of losing people important to me” while naming Chris Cornell, Chester Bennington, Dimebag “Fucking” Darrell and Eddie “Fucking” Van Halen.

An emotional sing-along transpired in the dark as fans remembered musicians and their personal loved ones lost before Erna declared, “We don’t need this production. Austin, light it up!”

The four-song encore also included a cover of The Beatles’ “Come Together” before Godsmack brought up Austin native and MLB Network’s Kevin Millar, a World Series champion from the group’s beloved Boston Red Sox, during traditional finale “I Stand Alone.”

Although Godsmack left a few hits off the table such as crowd-pleaser “Speak,” “1000hp,” “Greed” and “The Enemy,” and though none of the artists used pyro at an amphitheater that’s been known to do so even during 100-degree August nights, Godsmack fulfilled the wishes of those who have been dedicated to them since the late ‘90s and who never tire of seeing them live.

So for anyone wondering if the lineup changes would cause the band to lose a step? No professional video footage was allowed, so you’ll just have to go see the band yourself — or take ATM’s word for it that nothing could be further from the truth.

Martin, meanwhile, jump started the Texas hot 7 p.m. show with a rockin’ 38-minute set that showcased her soaring vocals and the band’s musicianship, particularly on “The Devil I Know” and “Rest In Peace.”

Backed by energetic guitarist Nick Perri, drummer Jake Hayden and bassist Eliot Lorango, the frontwoman is touring in support of fourth album The Way, which dropped in 2024.

Martin told Apple Music the effort was influenced by her time in rehab over the Covid-19 period, during which she became a person of faith.

“It’s very much tied to my recovery journey — doing a 12-step program and believing in a higher power,” she said.

Martin, whose band played the Fiesta Oyster Bake in April at St. Mary’s University with Drowning Pool and headliners Candlebox, and Erna recently went public with their newfound relationship, so the musical pairing on tour more than made sense.

Love may have been in the air behind the scenes. But for one steamy night in Austin, it was all about the rise of Rock N’ Roll.

And laying the smack down, Texas style.

Godsmack setlist: When Legends Rise, You & I, Cryin’ Like A Bitch, Straight Out of Line, Awake, Surrender, Keep Away (with “Walk” jam session), Love-Hate-Sex-Pain, Voodoo, Batalla de los Tambores, Whatever. Encores: Under Your Scars, Come Together, Bulletproof, I Stand Alone

Note: Stone Temple Pilots was the middle band on “The Rise of Rock” tour and played a 57-minute set but did not grant ATM permission to cover it. No explanation was given.

Comment

Lamb Of God, Mastodon celebrate 20 years of breakthrough albums

Comment

Lamb Of God, Mastodon celebrate 20 years of breakthrough albums

AUSTIN — In 2004, a pair of metal bands — one hailing from Richmond, Va., and the other from Atlanta — weren’t too far into their careers. The former released an album called Ashes of the Wake while the latter dropped its second record called Leviathan on the same day: Aug. 31.

Little did Lamb Of God and Mastodon know that 20 years later, they’d still be around, let alone on tour together playing those efforts in their entirety.

But that’s what happened Saturday at Germania Insurance Amphitheater to approximately 7,000 fans as both bands played the second gig of their co-headlining “Ashes of Leviathan” tour after kicking off the night before in Grand Prairie just outside of Dallas. Kerry King’s solo band (coverage here) and United Kingdom metalcore band Malevolence opened the show.

How special was this occasion? Mr. T and “The Nature Boy” Ric Flair issued congratulatory videos via social media to Lamb Of God on the 20-year anniversary of their groundbreaking album.

Ashes of the Wake songs usually make up a decent-sized chunk of Lamb Of God’s sets on a normal tour, but this trek marks the first time they’ve played the album all the way through. And that meant kicking off with live staple “Laid to Rest,” which in turn meant there wasn’t a much better way to jump start a band’s set than to have thousands screaming out “See who gives a fuck!” during the midway point.

It also signified that “Hourglass,” “Now You’ve Got Something to Die For,” “The Faded Line” and “Omerta” would ensure that the intensity of a long, muggy mid-90s day-turned-into-evening would not lose any steam if vocalist Randy Blythe, guitarists Mark Morton and Willie Adler, bassist John Campbell and drummer Art Cruz had anything to say about it.

Blythe even called out for a Flair-like “Wooooo” as the lead-up to “One Gun” and “Break You” (ATM Facebook Live footage here).

Bursts of pyro accentuated the flaming temperatures and performance for both Lamb Of God and Mastodon, with the latter adding a different type of flair to its act.

Mastodon utilized breathtaking oceanic special effects on the backdrop to Brann Dailor’s drum kit in playing its concept album Leviathan to Herman Melville’s 1851 book “Moby-Dick.” They also brought out Cysquatch, an imposing one-eyed creature that resembles “The Simpsons” Treehouse of Horror characters Kane & Kodos, during the second of three encores following the album’s completion: “Circle of Cysquatch.”

Bassist Troy Sanders, guitarist Brent Hinds and Dailor took their turns at lead vocals while guitarist Bill Kelliher played plenty of unassuming riffs accompanied by fireworks being released behind the keyboardist. Watch them in action via ATM Facebook Live footage of “Megalodon” and “Naked Burn” here.

Malevolence brought its brand of English metalcore after taking the stage at 5:55 p.m., all culminating in Lamb Of God’s two-tune encore of “Memento Mori” and “Redneck.”

The only other thing that can be said after all of that molten metal? Pity the fool who misses this tour.

LAMB OF GOD SETLIST: Laid to Rest, Hourglass, Now You’ve Got Something to Die For, The Faded Line, Omerta, Blood of the Scribe, One Gun, Break You, What I’ve Become, Ashes of the Wake, Remorse is for the Dead. ENCORES: Memento Mori, Redneck

MASTODON SETLIST: Blood and Thunder, I Am Ahab, Seabeast, Island, Iron Tusk, Megalodon, Naked Burn, Aqua Dementia, Hearts Alive, Joseph Merrick. ENCORES: More Than I Could Chew, Circle of Cysquatch, Steambreather

Comment

Kerry King's all-star band rises from hell to scorch Austin with fresh thrash

Comment

Kerry King's all-star band rises from hell to scorch Austin with fresh thrash

AUSTIN — When the co-founding guitarist of one of thrash metal’s Big 4 walked off stage toward the end of 2019 at the Kia Forum in Los Angeles, fans had no way of knowing if it was going to be the final time they would see Kerry King shred.

The riveting riff master of Slayer since 1983’s Show No Mercy debut, King eventually made no bones about the fact he still had plenty of music left to get off his chest and onto his Flying V, and that Slayer’s premature retirement was not his call.

Roughly 4 1/2 years and a bunch of well-kept secrets from within later, King hasn’t just re-emerged with a solo band in supergroup form.

He’s risen from hell.

Having unleashed From Hell I Rise on May 17, King brought his new-look musical outfit to the Germania Insurance Amphitheater on Saturday night as a support act for the co-headlining Lamb Of God / Mastodon trek known as the Ashes of Leviathan tour. And though he was relegated to a 40-minute set in the death of Texas’ muggy mid-’90s temperatures, Kerry King the band pulverized the amphitheater the only way its namesake and his cohorts know how.

Basically sworn to secrecy for several months, King’s bandmates came to fruition in the form of Death Angel vocalist Mark Osegueda, ex-Machine Head and Violence guitarist Phil Demmel, Hellyeah bassist Kyle Sanders and one-fourth of Slayer in drummer Paul Bostaph.

King’s solo album could very well have served as a new Slayer record. For many fans, that would’ve been just fine. For others, perhaps they’d want something a little different.

But thrash, anti-religion and to-hell-with-political liars lyrics reside like residue in King’s blood, and From Hell I Rise — a strong candidate for metal album of the year — sports many tunes that get heads banging and pits swirling.

King’s band played seven of those tracks, opening with the album’s intro “Diablo” on the P.A. before taking the stage at 6:50 p.m. to “Where I Reign.”

Other album highlights included second tune “Trophies of the Tyrant” and initial single “Idle Hands,” with Osegueda commanding the crowd’s attention and energy as if his life depended on it.

And if for some reason you were in the merch line or, worse yet, the venue’s facilities during King’s set, you should be kicking yourself for missing the intensity of “Toxic.” With the Death Angel frontman spewing out: “Too many people, spend too much time, forcing their opinions on other people’s lives. Toxic rhetoric. Toxic government. Toxic politics. TOXIC. HYPOCRITES,” you may as well have been clinically dead if you couldn’t get fired up after that one.

Not exactly to be confused with the Britney Spears hit.

But of course, it wouldn’t have been a crowning performance without a taste of Slayer, and King obliged with the mandatory “Raining Blood” segueing into “Black Magic.” Watch ATM’s Facebook Live footage of those along with new track “Shrapnel” here.

The danger with supergroups is getting each member’s schedule from his main band to mesh if the new unit has a desire to take its act on the road for longer, non-supporting periods of time. Although Slayer is set to put an end to its time off with a couple of festival gigs that are said to be more reacquaintances than anything permanent, you can bet Slayer fans — and true metalheads in general — would be even happier to see Kerry King on stage more often, bringing the best that 40 years of material plus From Hell I Rise have to offer.

So while King may have been happy to unveil his new gathering as part of a Lamb Of God / Mastodon package, a major jaunt of his own would be just what the metal gods need to order.

Sign us up, San Antonio promoters. It can’t come fast enough.

SETLIST: Diablo (intro), Where I Reign, Trophies of the Tyrant, Residue, Toxic, Idle Hands, Shrapnel, Raining Blood, Black Magic, From Hell I Rise

Comment

Megadeth & friends put mega-fun into 'Metal Tour of the Year'

Comment

Megadeth & friends put mega-fun into 'Metal Tour of the Year'

Under ordinary circumstances, a tour featuring Megadeth, Lamb Of God, Trivium and Hatebreed would be on most metalheads’ nominations list for “Metal Tour of the Year.” Toss in a global pandemic going on 18-plus months that shut down live music for the majority of that time, and that moniker turns into a slam dunk as concerts trickle back into our conscience.

But even if things had been normal and if some considered “Metal Tour of the Year” to be a brandishing of bravado, that likely would have met with a collective, “Yeah it’s a bit brash. So what?” Besides, any tour that incites moshing in near 100-degree temperatures on asphalt based on the music alone deserves such a lofty perch.

These four heavyweights have persevered through their own trials and tribulations and continue to stand tall in the scene. So it was only fitting they kick off their tour — yes, the metal tour of the year — Friday in Austin at the Germania Insurance Amphitheater and racetrack grounds.

There was Megadeth and frontman Dave Mustaine, the one-time Texas resident who continues to defy his 2019 throat cancer diagnosis whenever he performs. Megadeth also had to contend with the recent embarrassing but self-admittance of original bassist David Ellefson, who engaged in virtual sexual activity with a woman other than his wife during a Zoom meeting roughly three weeks after being interviewed by yours truly, eventually leading to his firing by Mustaine. His replacement, at least on tour — James Lomenzo — made his second-stint live debut with Megadeth on this night. Lomenzo, ironically, had been replaced by Ellefson in 2010 after a five-year tenure and may be remembered by many as the original bassist of White Lion.

On a clear moonlit night with heat indexes approaching and possibly surpassing triple digits, the tour’s biggest crime was that Megadeth and Lamb Of God were only afforded an hour and five minutes each, with Trivium and Hatebreed receiving only 40 and 35 minutes, respectively. Also, in an era where many are still struggling financially as a result of Covid-19, band T-shirts increased from the usual $25 or $30 to $40, with special tour editions going for $45.

All that aside, Mustaine and Lomenzo, guitarist Kiko Loureiro and drummer Dirk Verbeuren tore through staples such as opener “Hangar 18”, “Tornado of Souls” and “Sweating Bullets.” Mustaine mentioned a new album is on the way, which reportedly necessitated having Ellefson’s bass parts scrapped, as Megadeth offered up tracks from previous album Dystopia such as “The Threat Is Real” and the title track.

While it would’ve been nice to see Megadeth give “Trust” a rest from the setlist, mandatory tracks such as “Symphony of Destruction” and “Peace Sells” never disappoint. Watch ATM’s Facebook LIve footage of both here.

Rare these days is the performance of anything from 1985 debut Killing Is My Business . . . And Business Is Good, but Mustaine threw a pleasant curve ball of sorts with a blistering version of “Mechanix.” For the mega-uneducated when it comes to Mustaine and Megadeth, the song is the original version of what Metallica turned into “The Four Horsemen” in 1983 after they had reworked “The Mechanix” onto their No Life Till Leather demo. Watch ATM footage here.

Mustaine’s defiance continued in reference to the state of our world when he asked the crowd to do him a favor by turning “to the person next to you and tell them, ‘They’re not taking this shit away from us!’ “ And really, all bands on the bill were living proof.

Lamb Of God arguably stole the show, aided by an ungodly amount of pyro. The Richmond, Virginia, natives were the only group to peruse the flames of death, which is what they felt like, muggy conditions notwithstanding. Lamb Of God made the night even hotter with a rousing rendition of opener “Memento Mori” as vocalist D. Randall Blythe, guitarists Mark Morton and Willie Adler, bassist John Campbell and drummer Art Cruz finally were able to tour in support of their self-titled album that dropped June 2020 after it had been pushed back due to the lack of touring.

Lamb Of God played on the same day it released the 15th anniversary deluxe edition of Sacrament, not to mention the same night an LOG tribute band was playing Fitzgerald’s in San Antonio. You know, just in case you weren’t able to sweat it out in Austin with the real thing. Blythe and the band were on fire throughout their set (thank goodness not literally, although virtually any moment during their set could’ve resulted in such a calamity). Cruz, formerly of Prong, has stepped in seamlessly after the departure a couple years back of longtime drummer Chris Adler, whose brother Willie Adler continues to churn out riffs on guitar along with Morton.

Blythe referenced his roughly five-week Czech Republic incarceration in 2012-13 for allegedly causing a concertgoer to lose his life after allegedly pushing him off the stage during a 2010 gig upon introducing “512”. The band also shined, in the city sporting the area code of the same number, on “Now You’ve Got Something to Die For,” finale “Redneck” and staple “Laid to Rest” which gave way to the live debut of fellow 2004 track “Remorse Is For the Dead” (ATM footage of the last two here).

Blythe, incidentally, more than dabbles in photography himself and may even appreciate the 145-photo slideshow below. If not, at least you can partake in the gallery as well.

Trivium delivered the goods as the second band on the bill, led as always by singer/guitarist Matt Heafy. The group will drop In the Court of the Dragon on Oct. 8 and offered up first single “Feast of Fire” along with other recent tracks “What the Dead Men Say” and “The Heart From Your Hate.” With guitarist Corey Beaulieu frequently swinging his mane to his riffs, former Battlecross drummer Alex Bent pounding the kit and bassist Paolo Gregoletto manning the four-string, Trivium was a force to be reckoned with in getting the crowd extra amped for the bands to come.

Hatebreed had the honor of opening the festivities. Even though the band that has been around since 1994 was only given 35 minutes, they were fortunate to be on this tour in the first place. Original opener In Flames was confined to its native Sweden due to visa issues, and that fact was not lost on vocalist Jamey Jasta.

The former host of MTV’s “Headbangers Ball 2” who has collaborated with Blythe on the former’s solo records, Jasta fully acknowledged In Flames’ absence and wished them well. But as he concluded: “When you get the call from Megadeth, you drop what you’re doing and get on the bus.” Hatebreed made the most of the opportunity, as evidenced on ATM’s footage of “Tear It Down” and “I Will Be Heard.”

No matter which band was your favorite, no matter the personal and collective bouts of adversity overcome by the artists, the collection of musicians and fans at the G.I.A. in the midst of a pandemic was a victory in and of itself. So after urging fans to be strong and defiant in not allowing the privilege “to be taken away from us,” the final word of the night goes to the Megadeth master himself:

“You may notice I don’t talk much during our shows,” Miustaine said. “I just shut up and play my fucking guitar.” And with that, Megadeth launched into closer “Holy Wars . . . The Punishment Due,” putting a headbanging wrap on what undoubtedly was one of the most mega-fun days any metalhead has had in a year and a half.

Metal Tour of the Year indeed.

Comment