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#EvenInDeath

Throw your Rah-Rahs up! Lineup of locals joins Florida's Severed Sun in hammering down

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Throw your Rah-Rahs up! Lineup of locals joins Florida's Severed Sun in hammering down

When a city has established itself as the “Heavy Metal Capital” over five decades, certain aspects of the flip side of that moniker also come to fruition.

Namely, the fact that bands and venues come and go as part of the circle of metal life.

But much like your favorite pizza place or Mexican restaurant in the Alamo City that may have been short lived, concert venues — particularly of the bar variety — tend to resurrect from the dead from time to time.

A convenient jaunt around the corner from North Star Mall, at 6322 San Pedro Ave., lies the newly revamped and reopened Rah! Rah! Room, where five bands didn’t give a rat’s ass about reliving history or getting nostalgic last Saturday.

They just wanted to kick ass and entertain.

Local crushers Wicked Angel, Metalriser, Even In Death and Konvxtion did the honors and were joined by “groove metal” quintet Severed Sun, which made the 17-hour drive from Clermont, Florida, in the Orlando area to close the show.

Two years ago, Rah! Rah! Room was known as The Rec Room -- and, going back to the ‘80s, may have even been a pizza joint or two. While that installment of a local concert venue didn’t last long, more shows such as this gathering, combined with an increase in spreading the word about said show beforehand around town through various methods, may ensure Rah! Rah! has a longer life span.

The gig came to life thanks to Joseph Dwyer of Hammerhead Productions, which was making a bit of history of its own. Dwyer and Hammerhead, a once steady influence on the local metal scene, had taken a break from the business and hadn’t put on a show in town in nearly five years.

That changed when Dwyer reconnected, oddly enough, with the one non-local band on the bill — Severed Sun and vocalist Rod Rawlins, a longtime friend.

Before they knew it, Severed Sun added San Antone to its “Call to Arms” itinerary. And although the group closed after the four locals with an 11:08-11:52 p.m. set that shouldn’t have been past too many bedtimes on a Saturday night, it was disappointing to see only roughly 30 fans stick around from what had been a larger turnout for its predecessors.

But demonstrating the true epitome of “doing it for the love of Rock N’ Roll,” Severed Sun treated those on hand to a heavy, energetic and headbanging performance mixed in with some fun and humor.

Rawlins took the time to thank those on hand by sharing a few shots with Wicked Angel guitarist Roland Casias and fans (see 85-photo gallery). He came off the main stage at one point and dosey-doed with an attractive onlooker who had declined the shot offer but was one of the most dedicated patrons who was also there for the first note of openers Konvxtion at 7:30 p.m. on the muggy outdoor stage.

Toward the end of the seven-song set, Dwyer held up one of the group’s banners and had anyone remaining in the venue sign it as a keepsake for Severed Sun to take back to Florida.

You can watch Rawlins, lead guitarist Kevin Miller, new rhythm guitarist Ricky Rock, bassist Daryl Jones and drummer Justin Telfer in action on “Fuktard” from their 2021 EP Catacombs. Or, at least half of it. The Rah! Rah! didn’t have any available outlets, incredibly, indoors or out, and after having shot and filmed the four other bands, well, batteries tend to run out when they can’t be recharged.

But that wasn’t an issue with Wicked Angel, Metalriser, Even In Death and Konvxtion.

Wicked Angel is always a treat to watch due to its storied history dating back to the early ‘80s and its “haunting” thematic songs.

Vocalist Dave Caballero is always entertaining, setting the tone in his black cloak, wide-ranging vocals, unique stage presence and willingness to engage with the crowd.

Watch Caballero, Casias, guitarist Joseph Valdez, bassist Raymond Castaneda and drummer Ernest Chavarria in action below via ATM’s footage of ‘80s track “People of the Black Circle” and the brand new “Phantazma.”

Wicked Angel will celebrate the release of its new EP on June 21 at The Starlighter (1910 Fredericksburg Rd.; $10 cover) with Santa Oscuridad and Perfect Darkt. The former group is the Spanish-signing band led by Helstar guitarist Larry Barragan, who produced the new tunes.

Preceding Wicked Angel on the new and fantastically lit inside stage (Rec Room bands played on the floor) was a veteran yet still young local outfit that always tests one’s neck elasticity.

Metalriser brings the thrash to its shows every time, and with band founder, vocalist, rhythm guitarist Joel Estrada delivering new tunes “Thoughts of Chaos,” “Reality is Death” and “Inner Self” in addition to “Hell’s Gate” from 2022 album Demise, diehard headbangers now have more reasons to check out the group’s shows.

Estrada has welcomed back drummer Kevin Ortiz to the fold along with guitarist Raymond Valdez and bassist John Talabay. Having toured with D.R.I. and been around for more than 12 years, which is when ATM first began covering Metalriser, the group has endured a slew of lineup changes. Two months ago, former bassist Nick Gamboa passed away.

But Estrada’s vision for the band remains steady, and with new tracks hitting our eardrums at last, metalheads far and wide would be wise to appreciate this band live and in the flesh whenever the opportunity arises. Er, metal rises.

As three quarters of Metalriser were about to take the stage inside, the only missing piece, momentarily, was Talabay. That’s because he was watching every note of his former band Even In Death being played on the outside stage before running back in to fulfill his current obligations.

What he heard was a seven-song set filled with the group’s staples such as “Fire All Your Guns” and “Abandoned,” and you can watch ATM’s footage below of “Freeze” and “My Salvation.” Vocalist Sean Nations and crew also tossed in Bullet For My Valentine cover “Your Betrayal” before ending a 38-minute set with new track “World Upside Down.”

Whether Talabay, or anyone else for that matter, actually saw it may have been debatable, however — through no fault of the band. On a cloudy and very muggy night, the 8:30-9:08 p.m. set was “lit” more with Christmas-like bulbs than actual lights, particularly around David McGilvery’s drum kit.

And in all ATM’s 26 years of covering gigs in various states and by whatever name ATM has gone by, Even In Death’s set featured an oddball occurrence first: guitarist Anthony Carrillo was on site, but not on stage, because he had a prior commitment with his Metallica tribute act Blackened and had to leave halfway through his original group’s set.

Saul De Leon came to the rescue on only four days’ notice, joining lead guitarist James Garza, bassist Anthony Aleman, Nations and McGilvery.

The night kicked off with Konvxtion outside, but with more clear natural light for its 7:30 p.m. start.

Vocalist Ed Rios and drummer Eric Rios led the way, getting things warmed up with tracks such as new single “Burning A Hole In Me” and 5-year-old tunes “We All Bleed Red” and “Guillotine,” the latter watchable below.

As for more chances to see some of these acts in action?

Wicked Angel will open for Watchtower’s return with James Rivera’s Metal Asylum on Friday, Sept. 5, at Fitzgerald’s (tickets here).

Konvxtion, meanwhile, plays tonight at Nowhere Bar on Austin Hwy with Dragging The Depths, The Broken Page, Blind Lies and A Cautious Optimist.

With Hammerhead Productions back on the map and the Rah! Rah’s existence led by one of the city’s most riveting vocalists — Wall Of Soul and Whiskey Bliss’ Chrissy Bliss — that tag team plus a bevy of local bands from which to choose can only mean good things for Rah Rah’s contribution to the scene going forward. How long it lasts, as always, remains to be seen.

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Accept & company rock balls and walls of new 1902 Nightclub

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Accept & company rock balls and walls of new 1902 Nightclub

No matter how often they play our city, no matter how many lineup changes they endure, Accept fits right in the conversation with that death and taxes thing. Because when it comes to the German metal band putting on more than a good show, you can book it.

The latest example came last Tuesday when Accept’s 19-song, 1-hour and 47-minute performance satisfied an intimate but enthusiastic weeknight crowd at a new venue that was just as much the story as were the five bands on the bill.

Narcotic Wasteland — a death-metal project fronted by singer/guitarist and longtime former Nile member Dallas Toler-Wade — provided direct support as a most peculiar choice given the contrast in styles with the headliners. Local support came courtesy of Resist Control and Even In Death, while Austin natives Black Thorn Halo kickstarted the show at 6:30 p.m.

The stylish and new 1902 Nightclub on the grounds of The Espee Pavilion, known to longtime residents as Sunset Station, provided the luxurious backdrop. The rectangular stage gave way to a slightly wider runway for the general-admission diehards. They in turn were surrounded on both sides of the club by merch and VIP booths. Directly across the stage, at the opposite end of the club, was a short stairwell that housed perhaps 10-15 standing fans who had the option of curving around either side upstairs and taking in the action from the balcony (see 60-photo gallery below).

Led by guitarist and lone remaining original member Wolf Hoffmann and fronted for the past 13 years by one-time TT Quick vocalist Mark Tornillo, Accept is touring in support of Too Mean To Die. The band came out blazing with that album’s first two tunes: “Zombie Apocalypse” and the rockin’ title track before offering up the title track to Restless and Wild, one day following that album’s 40th anniversary (see setlist in photos).

These days, Hoffmann and American singer Tornillo are accompanied by guitarists Philip Shouse and Uwe Lulis, bassist Martin Motnik and drummer Christopher Williams. Naturally, as the headliners, Accept was afforded the best lighting of the night. What was a bit surprising was the fact each of the four preceding bands were solely subjected to red lighting, a dreaded choice for photographers covering any show that chooses that type of backdrop and not exactly the best selection for fans and musicians to see one another.

Note to all promoters and venues: if you’re going for the hell or blood look, ditch the poor effects and enable all in attendance, including the performers, to be seen in the best light. Pun intended.

Moreover, Accept was the only band whose set allowed photographers to shoot from the balcony, both behind and above the stage, thanks to the graciousness of promoter J.T. Powers and the 1902 Nightclub staff.

While the size of the 1902’s stage may not have been too ideal for six band members to move around much, it didn’t deter Accept from kicking maximum ass and pleasing the fans. A good mix of 1980s classics from the Udo Dirkschneider era to Tornillo’s time on tracks such as “The Abyss” and “Hung Drawn & Quartered” satiated the appetites of those on hand.

Tornillo didn’t shy away from any high or difficult notes, particularly his patented pulsating pitch shortly into “Teutonic Terror” (ATM footage below). You can also watch Hoffmann and Crew shine via ATM Facebook Live clips of “Midnight Mover, “Princess of the Dawn” and “Fast As A Shark,” and closers “Son Of A Bitch,” “Balls to the Wall” and “I’m A Rebel” — the latter being their 1980 cover of the song written by Alex Young, the brother of AC/DC’s Angus and Malcolm Young.

Toler-Wade and Narcotic Wasteland were the aberration of subgenres on the program, but that didn’t sway the frontman from turning up his intensity. Toler-Wade brought the energy and angst both in song and in directing the soundman on multiple occasions to address an issue, going so far as to say, “Fix that fucking feedback, or I will kill you.”

He was kidding. I think. But you don’t mess with the man with the microphone. Especially a death-metal guy. Watch them in action on “Pharma Culture” and “Bleed and Swell” and below on finale and new single “Morality and the Wasp.”

Resist Control received top billing among the local and area bands. As vocalist Jerry Garcia said, his group is not one to play many shows — and certainly doesn’t perform as many as preceding group Even In Death — but it was nice to see the quartet receive a higher than usual status. Watch them on “Already Dead” and “End Of My Axe” and below on “Hell Is Not Real.”

Like Accept, locals Even In Death have undergone a slew of lineup changes over the recent years, with vocalist Sean Nations and guitarist Anthony Carrillo remaining the constants. They’ve been a fixture on the local scene, performing at virtually every existing venue in town and released full-length When Hell Freezes Over in 2020. Watch them in action here and below on finale “Fire All Your Guns.”

Black Thorn Halo made the 80-mile trek from Austin to kick things off. Four nights earlier at Bonds Rock Bar, drummer Eric Mulero and guitarist Craig Leach performed as part of female-fronted cover band Denim & Leather. Fronted by Rafa Lopez, the group’s set was abruptly cut short before professional video could be shot, but you can watch them via ATM Facebook Live footage of “Kill the Pain.”

All in all, there was one too many openers for a Tuesday night show. If you asked the youth who slept on his father’s shoulders in the balcony for the majority of Accept’s and Narcotic Wasteland’s sets, he might say two or three too many. But for those who stuck it out from beginning to end, there was plenty headbang for the buck.

Accept delivered the goods and played as pleasing a set as you could get over a nearly 45-year discography, while the support acts demonstrated what they’re made of as well.

If this was an indication of the type of shows the 1902 will host going forward, then the Alamo City has gained another worthy venue and promotion group to keep your eyes on.

Let’s hope the night wasn’t a one-hit wonder. The more teams behind the metal scene, the merrier.

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